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"And perhaps, too, the law may be on his side: there is plenty of time yet for a missing will or a—a—useful witness to turn up. That will," says Mona, musingly, "must be somewhere. I cannot tell you why I think so, but I am quite sure it is still in existence, that no harm has come to it. It may be discovered yet." "She may," says Jack. "Well go on. What more does he say?" Nolly is especially and oppressively cheerful. He is blind to the depression that marks Mona and Geoffrey for its own, and quite outdoes himself in geniality and all-round amiability..
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A dead silence follows. Lady Rodney raises her head, scenting mischief in the air. "Ai," replied Mā-mĭn´, "I do love you; only you. All the other young men pass before me as shadows. I scarcely see them, but I cannot do what you ask. I cannot go away and leave my mother to mourn; she who loves me so well. Let us wait a little. Go to war. Do something great and brave. Then perhaps you will not uselessly ask my father to give me to you." "In the National Gallery, do you mean?" asks Mona, with a pretty, puzzled frown on her brow. "Oh, no, Geoffrey; I shouldn't like that at all. To be stared at by everybody,—it wouldn't be nice, would it?" "It is not a bad name in Ireland. There are very good people of that name: the Vincent Scullys,—everybody has heard of them," says Violet, gently. But her friend will not consent to believe anything that may soften the thought of Mona. The girl has entrapped her son, has basely captured him and made him her own beyond redemption; and what words can be bad enough to convey her hatred of the woman who has done this deed?.
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